Stephen Johnson designed a mega large (ø70cm), exact copy of a shiny giftbox bow to make us happy! His ‘Happy Happy’ bows, dating from 2010, have been relaunched in 2017 featuring a lighting unit, made in mirror polished aluminum in four colours. The Happy lights are made to order.
And, what a fun coincidence (is it?): Maison Margiela has bags in the same shape, The MM6 ‘Mirror gift bow shoulder bag’ is also taller than the real shiny paper shiny bows, but way smaller than Stephen Johnson’s lamps. If you want to buy the bag go to farfetch for the lilac one, silver is still on stock at margiela.com. Continue reading →
Many moons ago we created a collection of eggcups: ‘Eierbecher/Eggcups Prototypes’
This project was the start of what would evolve into us, at Mimi Berlin, seriously creating all kinds of unique objects and stattuettes with stories attached to them. (see those at mimimall.me) Anyways, back to the topic of this blogpost.Mrs Jack, a small company which offers sustainable, ready-set trays and tablescapes, has used one of these ‘Eierbecher/Egggcups Prototypes’ for a breakfast in bed tray-scape. Its the ‘Qualy’ eggcup from the ‘White’ series, set next to a marvelous coffeepot designed by Lutz Rabold, what an honour!
‘Morning Glory with Mrs Jack/ Give’
The photograph was taken by JW Kaldenbach, postproduction and graphics by Appdikted: both reachable via Agent Mimi. Styling and concept by Mrs Jack with many thanks to designer Annewil Ravensbergen
The graphic-house-style and brand design for Mrs Jack was taken care of by Appdikted as well. We suggest you check out her webshop; she takes her fun serious! Continue reading →
Next to many round and friendly interior design we also noticed some cubist inspired decor. Not that much, but we feel it could well be the next trend. It almost has to be, because all the ‘Barbapapa’ furniture design you can think of has already been made, for a couple of seasons, by all brands at this point.
Carpet / Moroso
Mural / Lammhults. The bright pastel color-scheme of this interior didn’t suit the other images so we made it in black and white.
Motorcycle / De Castelli
These four are the most evident examples of design, leaning towards Cubist shapes: Carpet from Moroso/ Mural by Siri Carlén for Lammhults / Motorcycle Samotracia Mario Trimarchi for De Castelli / Mirror from ClassiCon.
Vitra showcased everything they ever produced in a huge stand. Newest designs mixed with older ones in large mock-up rooms; in different styles and colorschemes: primary colors, in orange, and in a colder colorscheme with silver (introducing the limited edition Verner Panton chair in chrome.) and one in pastels. Furthermore there was an almost educational part to be seen at the salone del mobile fair: ‘classic’ designs by Charles and Ray Eames, Maarten van Severen, Jasper Morrison and Hella Jongerius, showcased in a way that you could see how they are made; a true ‘design showcase’. Also on show, in wooden cupboards as large as walls, were all the accessories produced by Vitra through the years, which was a nice interior-history lesson as well.
We, at Mimi Berlin, thought this was a very impressive and beautiful presentation.
Maarten van Severen
Maarten van Severen
wooden cupboard with accessories
As always; some images of what we desrcibed above. If you would like to read and see more information click to go to vitra.com
Dutch design mixed with Dutch art at the ‘Nothing New’ exhibition. At the same venue; Museo Diocesano in Milan, emerging Dutch design talent at ‘Bar Anne’ on show during Milan Designweek 2018.
Christiaan Zwanikken at Nothing New
Bar Anne, by Space Encounters x Children of the Light
The Dutch (contract) furniture company Lensvelt made quite the bold statement during Milan Design Week 2018 with the exhibition: Nothing New at the Museo Diocesano in Milan. Lensvelt didn’t show new furniture, but mixed it’s previously produced design amongst art (installations). The Nothing New exhibition was curated by Maarten Spruijt, some of the works, including performances were especcially made for the exhibition at Fondazione Lensvelt. (see all info under the images)
The Peacock chair became the Emanuelle Chair In the 1970s. This throne-like chair with a massive back made of rattan, became a tool for being sexy after the release of the film and the poster-image for the rated X movie Emanuelle; in which the lead-actress Sylvia Kristel posed topless in such a chair. (She did that, or had to, for many years to come.) It became an iconic image associated with sensuality and/or plain sex. Anyone who posed in a Peacock chair became sensual in an instant. And so, it those days you will find images from Julio Iglesias to Brigitte Bardot in a Peacock chair. Amazing!
1976 Summer Fashion By Couture Designers 1976 Summer Fashion By Couture Designers. EMMANUELLE’ chez CHANEL: Dans un fauteuil en rotin, Sylvia Kristel, héroïne des deux ‘EMMANUELLE’, pose en studio, vêtue d’une robe longue en mousseline rose pâle dont le haut est surpiqué, parée d’un gilet à manche longues, en guipure blanche, rehaussée de motifs jaune d’or. Prise de vue de face sur fond orange vif. (Photo by Jean-Claude Deutsch/Paris Match via Getty Images)
Photo by Francis Giacobetti, 1974
PHOTO magazine may 2067, Photo by Francis Giacobetti, 1974
Exotic Morticia Addams Chair
For people who were old enough to watch TV in the 1960s: you know the chair probably as being linked to the The Addams Family tv series. Mom Morticia Addams sat in one all the time. If you were born in the early 1900’s the peacock chair would have an exotic connotation to it as well, For the first time western culture came in touch with Asian design and materials.There lies the origins of the peacock chair: to be specific in the Philippines.