Das Triadische Ballet

Das Triadisches Ballett (Triadic Ballet) is a ballet developed by Oskar Schlemmer. It on 30 September 1922, with music composed by Paul Hindemith. The ballet became the most widely performed avant-garde artistic dance and while Schlemmer was at the Bauhaus from 1921 to 1929.The idea of the ballet was based on the principle of the trinity. It has 3 acts, 3 participants (2 male, 1 female), 12 dances and 18 costumes. Each act had a different colour and mood. The first three scenes, against a lemon yellow background to affect a cheerful, burlesque mood; the two middle scenes, on a pink stage, festive and solemn and the final three scenes, on black, were intended to be mystical and fantastic. He saw the movement of puppets and marionettes as aesthetically superior to that of humans, as it emphasised that the medium of every art is artificial. This artifice could be expressed through stylised movements and the abstraction of the human body. His consideration of the human form (the abstract geometry of the body e.g. a cylinder for the neck, a circle for head and eyes) led to the all important costume design, to create what he called his ‘figurine’. The music followed and finally the dance movements were decided. With the help and contribution of Schlemmer’s friend Alf Bayrle the ‘figurines’ were also shown at a 1930 exhibition at the Societe des Arts Decoratif in Paris, and again in 1938 at the Museum of Modern Art’s Bauhaus exhibition in New York. The figurines were exhibited in stasis, without their choreography. Much later, Schlemmer’s figurines appeared in the V & A’s 2006 Modernism exhibition accompanied by video recordings of their movement. Some of Schlemmer’s original costumes were preserved and can be seen at the Neue Staatsgalerie in Stuttgart, Germany. (knowledge from wikipedia)