You Can’t Sit With Us

You Can’t Sit With Us Music Doll

The title of this plastic doll is; You can’t sit with us. Why, you ask of us at Mimi Berlin? Well, obviously this doll is holding two chairs; one for her friend Elise and one for herself. We know she keeps a chair for Elise because of the tune she’s able to play. By pulling the thingy on the bottom of her body, between her legs, a musicbox will be playing Beethoven’s Bagatelle nr. 25 in a-minor, WoO 59, commonly known as Für Elise

pink doll
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Music Doll at Happy Customers Home

Happy Green Music Doll

It’s always wonderful if somebody loves your work enough to purchase it. That happened with our green Music Doll this year. As you can see the happy customer mounted the piece on the wall of their restroom. It looks superb, in our opinion.

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Red Nose Plastic Face

Red Nose, is a portrait and a musicbox.

Red Nose is a part of the ‘Important Bagatelles‘ series, made only with discarded (early) plastics by Mimi Berlin. Red Nose is a unique work, signed by Mimi Berlin.

This is a crappy video of the Red Nose portait in action, there is little action; but it’s cute.

Bagatelle No.25 WoO 59/Bia 515

Für Elise

Bagatelle No. 25 in A minor WoO 59/Bia 515 for solo piano, commonly known as “Für Elise”, is one of Ludwig van Beethoven’s most popular compositions. It is usually classified as a bagatelle. The composition was not published during Beethoven’s lifetime, having been discovered by Ludwig Nohl 40 years after the composer’s death. The identity of “Elise” is unknown.

Bagatelle No. 25 WoO 59, Bia 515
(image via wikipedia.org / Knowledge via wikipedia.org}

Unpretentious

A bagatelle is a short piece of music, typically for the piano, and usually of a light, mellow character. The name bagatelle literally means “a short unpretentious instrumental composition” as a reference to the light style of a piece. The earliest use of the name “bagatelle” for a musical work was by François Couperin, in his tenth harpsichord ordre (1717), in which a rondeau is titled “Les bagatelles’.