What do the Red and Blue chair designed by Gerrit Rietveld in 1918, The Wassily chair, designed by Marcel Breuer in 1925 and the Lounge chair and ottoman designed by Eames in 1959, have in common, except for the fact they are designed in the 20th century? Well, these design icons have all been re-invented by Dutch Designers. Just that.
by Tessa Koot, 2017.
by Marcel Breuer, 1925
by Eames, 1956
by Mal-furniture, 2012
by Maarten Baas, 2010
by Rietveld, 1917
Red and Blue Chair designed by Gerrit Rietveld in 1917. Wassily Chair, designed by Marcel Breuer in 1925 (currently produced by Knoll). Lounge chair and ottoman designed by Eames in 1959. (currently produced by Herman Miller)
There are probably are more examples. Please be so kind to share them with us if you know! Thanks! xoxo Mimi
Installation by Tessa Koot at the Dutch Design Week 2016
That’s what this little nook at the ‘Maarten Baas Makes Time‘ exhibition was named: Installation. We, at Mimi Berlin, loved it all! (We always love us some vintagedeluxe, y’all know that!) But the chair especially caught our fancy! The glamorous chair with a face is designed by Tessa Koot. Make sure to check out her website: tessakoot.nl
Mimi Berlin Blogger team visited ‘Maarten Baas Makes Time’; an interdisciplinary exhibition curated by Dutch designer Maarten Baas, designed by Baas himself together with theatre director Joris van Midde, at the Dutch Design Week of 2016. Binding factor of this exhibition was, of course; Time and Dutch design.
timeline of 15 chairs, designed by Maarten Baas
new work by Maarten Baas
Jaap van Bergen
’12 times’: spending time knitting with 2 vases by RenS on the mantlepiece
’12 times’: Sweeper’s clock by Maarten Baas
Fleeting by Gijs van Bon
Dining with Maarten Baas in Vlisco incorporated tablesettings with Chefcook Sergio Herman
Situated at the entrance of the former VDMA Garage was a timeline of 15 chairs, designed by Maarten Baas, opposite of Maarten Baas’ newest work. The next space was filled with work by different artists like the ‘Minuted‘ installation by Gijs van Bon and Strandbeest, one of the evolutionairy animals by Theo Jansen, surrounded by a grid on the floor made with white sand named ‘Fossil Field’ by Iris van Herpen.
Next we passed musician Joost van Dijk playing the cello together with beats of time. The music was wonderful by itself but also perfect as a restful ‘backdrop’ for the next surprise of the ‘Maarten Baas Makes Time’ exhibition:
‘12 Times‘. Twelve wooden booths, all with a little window and a poem by Ingmar Heytze pinned to the side, placed in a circle. Inside the booths were situations to be seen in a mix of tableaux vivants, performances and/or design objects. For instance: a women was Continue reading →