Yes, a Loudspeaker, not Loudspeakers, plural, as we used too name these things (if we wanted to listen to music in ‘stereo’. But that’s a different and historical story). Back to the topic of this post. The ‘One Smart Speaker’ is designed by the Danish HAY company for Sonos, in a limited edition in cute colors. We’ll categorize this product as Friendly Design. Same as everything else we’ve seen at HAY during the Milan Designweek 2018.
(images via hay.dk) Sonos are supposed to produce good loudspeakers so we, at Mimi Berlin, say: Auch Haben!
HAY and Sonos
“HAY and Sonos explore the role of colors, sound and design with the new HAY Sonos One Loudspeaker. Continue reading →
The presentation by the brand Magis was one of our favorites at the Salone del Mobile 2018 furniture fair in Milan. We, at Mimi Berlin, are always drawn to the designs produced by Magis, but this time it wasn’t so much the chairs, stools and tables we liked; it was the stand-design itself we favored. Huge classisistic columns, embellished with perspex and metal cubes in brown/orange/pink tones, stood in the middle of the large and open space, which ended at a wall wich had several fake arcs in it. In total: a postmodern delight from the 21st century.
The D is from Driade wich presented opposite of Magis.
Stand design by Note Design Studio
‘Cyborg’ chair series by Marcel Wanders.
‘Cyborg’ chair by Marcel Wanders for Magis
Detail of the ‘Déjà-vu’ stool by Naoto Fukasawa.
Stool ‘Bureaurama’ by Jerszy Seymour.
Porte-Manteau/Coat-hanger Four Leaves by Edward Barber & Jay Osgerby.
Mirror series ‘Vitrail’ by Inga Sempé
New: Mirror series ‘Vitrail’ by Inga Sempé
When we did our research later on, we read that Magis had won a Salone del Mobile.Milano Award and that: “The exhibition design project at the Salone was a product of the collaboration between the company and Note Design Studio in Stockholm.” Congratulations to both companies! Continue reading →
Next to many round and friendly interior design we also noticed some cubist inspired decor. Not that much, but we feel it could well be the next trend. It almost has to be, because all the ‘Barbapapa’ furniture design you can think of has already been made, for a couple of seasons, by all brands at this point.
Carpet / Moroso
Mural / Lammhults. The bright pastel color-scheme of this interior didn’t suit the other images so we made it in black and white.
Motorcycle / De Castelli
These four are the most evident examples of design, leaning towards Cubist shapes: Carpet from Moroso/ Mural by Siri Carlén for Lammhults / Motorcycle Samotracia Mario Trimarchi for De Castelli / Mirror from ClassiCon.
Vitra showcased everything they ever produced in a huge stand. Newest designs mixed with older ones in large mock-up rooms; in different styles and colorschemes: primary colors, in orange, and in a colder colorscheme with silver (introducing the limited edition Verner Panton chair in chrome.) and one in pastels. Furthermore there was an almost educational part to be seen at the salone del mobile fair: ‘classic’ designs by Charles and Ray Eames, Maarten van Severen, Jasper Morrison and Hella Jongerius, showcased in a way that you could see how they are made; a true ‘design showcase’. Also on show, in wooden cupboards as large as walls, were all the accessories produced by Vitra through the years, which was a nice interior-history lesson as well.
We, at Mimi Berlin, thought this was a very impressive and beautiful presentation.
Maarten van Severen
Maarten van Severen
wooden cupboard with accessories
As always; some images of what we desrcibed above. If you would like to read and see more information click to go to vitra.com
Dutch design mixed with Dutch art at the ‘Nothing New’ exhibition. At the same venue; Museo Diocesano in Milan, emerging Dutch design talent at ‘Bar Anne’ on show during Milan Designweek 2018.
Christiaan Zwanikken at Nothing New
Bar Anne, by Space Encounters x Children of the Light
The Dutch (contract) furniture company Lensvelt made quite the bold statement during Milan Design Week 2018 with the exhibition: Nothing New at the Museo Diocesano in Milan. Lensvelt didn’t show new furniture, but mixed it’s previously produced design amongst art (installations). The Nothing New exhibition was curated by Maarten Spruijt, some of the works, including performances were especcially made for the exhibition at Fondazione Lensvelt. (see all info under the images)
The Peacock chair became the Emanuelle Chair In the 1970s. This throne-like chair with a massive back made of rattan, became a tool for being sexy after the release of the film and the poster-image for the rated X movie Emanuelle; in which the lead-actress Sylvia Kristel posed topless in such a chair. (She did that, or had to, for many years to come.) It became an iconic image associated with sensuality and/or plain sex. Anyone who posed in a Peacock chair became sensual in an instant. And so, it those days you will find images from Julio Iglesias to Brigitte Bardot in a Peacock chair. Amazing!
1976 Summer Fashion By Couture Designers 1976 Summer Fashion By Couture Designers. EMMANUELLE’ chez CHANEL: Dans un fauteuil en rotin, Sylvia Kristel, héroïne des deux ‘EMMANUELLE’, pose en studio, vêtue d’une robe longue en mousseline rose pâle dont le haut est surpiqué, parée d’un gilet à manche longues, en guipure blanche, rehaussée de motifs jaune d’or. Prise de vue de face sur fond orange vif. (Photo by Jean-Claude Deutsch/Paris Match via Getty Images)
Photo by Francis Giacobetti, 1974
PHOTO magazine may 2067, Photo by Francis Giacobetti, 1974
Exotic Morticia Addams Chair
For people who were old enough to watch TV in the 1960s: you know the chair probably as being linked to the The Addams Family tv series. Mom Morticia Addams sat in one all the time. If you were born in the early 1900’s the peacock chair would have an exotic connotation to it as well, For the first time western culture came in touch with Asian design and materials.There lies the origins of the peacock chair: to be specific in the Philippines.